After being told by numerous people about Markus Zusak’s The Book Thief, I finally picked it up and started reading this weekend. I find myself now in a strange dilemma–do I read it quickly, as the incredibly potent writing calls for, stopping only to eat, drink, and visit the john…or do I continue doing as I have done so far: taking each word slowly and listening to it, relishing it, re-reading parts that, in their strangely beautiful pain and brutality, make the hairs raise on my arms (The streets were ruptured veins. Blood streamed till it was dried on the road, and the bodies were stuck there, like driftwood after the flood. They were glued down, every last one of them. A packet of souls). It’s a tough call.
Despite the discrepancy of categorization–technically “juvenile fiction” in the States, straight up “adult novel” in Australia, the author’s home country–the voice, imagery, and pacing are so far, in a word, phenomenal. Narrated by Death, the story takes place in Nazi Germany, 1939. The protagonist: a young girl (a.k.a. The Book Thief) carted off to a foster family who also, coincidentally, is hiding a Jew in their basement.
Here’s an appetizer. From the very beginning of the book:
*HERE IS A SMALL FACT*
You are going to die.
I am in all truthfulness attempting to be cheerful about this whole topic, though most people find themselves hindered in believing me, no matter my protestations. Please, trust me. I most definitely can be cheerful. I can be amiable. Agreeable. Affable. And that’s only the A’s. Just don’t ask me to be nice. Nice has nothing to do with me.
