Nam Le‘s book of short fiction, The Boat (Knopf; $22.95), has been widely praised, and deservedly so. One of the things I like about Le is his versatility. Check out the openings, for example, of three stories from The Boat:
[Poetics, place, atmosphere]
In Cartagena, Luis says, the beach is gray at dawn. He points to the barrel of his G3 when he says this, steel gray, he says. He smiles. The sand is white, he says, this color, tapping his teeth. And when the sun comes up on your right, man, it is a slow-motion explosion like in the movies, a big kerosene flash and then the water is sparkling gray and orange and red. Luis is full of shit, of course, but he can talk and it is true that he is the only one of our gallada who has seen the Caribbean. Who has been to Cartagena. — “Cartagena”
[Character, ugliness - it takes guts to do this! Le is 29]
She’s coming today. It’s 11:40 a.m. and I can feel my ass again. I get into a kneeling position in the bathtub then slowly stand up, one trembly, lard-like leg at a time. Water runs down my chest, over my creased stomach, coalesces on my creased balls. With my right hand I reach down and squeeze them, sponge-like, until what remains in my fist is a shriveled sac of skin. My ass is burning. My head was doing okay for a while there. I flick the soggy cigarette in my other hand into the bathwater, grab the tube of lidocaine and smear some of that sweet stuff onto my rosebud. — “Meeting Elise”
[Action]
The storm came on quickly. The crosswind surged in, filtering through the apertures in the rotten wood, soundling like a chorus of low moans. The boat began to rock. Hugging a beam at the top of the hatch, Mai looked out and her breath stopped: the boat had heeled so steeply that all she saw was an enormous wall of black-green water bearing down; she shut her eyes, opened them again — now the gunwale had crested the water — the ocean completely vanished — and it was as though they were soaring through the air, the sky around them dark and inky and shifting. — “The Boat”








